Tuesday, December 11, 2012

becoming


I can’t go in thinking it’ll be my next great novel. And by next I mean first. The stories in my mind are haphazard, fleeting, then gone. It reminds me of the creative spark certain professions require where the best time to create something perfect is when you haven’t planned it at all. I picture everyone sitting and waiting for me to say something great, quotable, memorable. I find my fingers frozen over the keyboard with this internal, self-inflicted pressure to CREATE. Do it. Now. If you don’t start writing at this very moment, it will be gone.

But then you do it, and it is never as impressive as you wanted it to be. So...at this point do you save it as a draft and start over, or delete all of it entirely and wait for the next moment of inspiration? And who’s to say it is “that” anyway? “That” being inspiring, magical, provoking, everything you yourself expect a book to be when you open it to invest your precious time in its contents. Oh the horror of leaving an unimpressive mark!
The familiar question of my childhood was “what if they hate it?” What? Anything. Anything I produce as an expression of myself. It can so easily be rejected. “No, they’ll love it,” I hear the kinder part of myself say. Who are you people kidding? That only works in really sappy movies or to really pretty people. I prefer the Sundance award-winner worthy movies that make everyone want to crawl under a rock and die. Too often you hear the words you fear most, “This is good, but not quite ‘it’”; “I like it. I mean, it’s not too bad.” And although I hate producing bad work, I think I would still rather the Great Oz come down on my performance with fiery disdain than hear a lukewarm response. Clearly, hating something is much better than not caring about something, because one of these invokes some sort of feeling, while the other conjures zero concern or care at all. So at least hate my work, get mad over it, think about it tomorrow, let it make you smile and relate, or be inspired. I just want someone to care, to feel something as a result of, to remember the next day.

I don’t just write for me. I don’t always know why I write, except for some innate need, literal NEED, inside of me to create. That need is different for everyone, but mine is focused on the art written work. I think everyone really wants to save the world in one way or another. Many people want to save the world through beauty, and some of them are doing a fantastic job. The best writers, singers, song-writers, artists I know are the ones who can touch the part of my soul that longs for beauty. There is nothing more powerful than passion at work. And nothing more beautiful than witnessing that passion.

I write to tell stories, to find commiseration with other flailing humans, to be honest, to find peace, to identify with my heroes of the same art, to glorify my Lord, to challenge my mind and its amazing ability to convince me I am incapable, and to summon the deepest thoughts of my heart to the surface.

I think this is maybe meta-writing...but as I grapple with the significance of my own abilities and uncover this hole where I tend to bury my talent, I have to write about writing to confirm that I can even do it.